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Schmelling, Michael. Atlanta: Hip-Hop and the South Chronicle, 2010.
Owerko, Lyle. The Boombox Project: The Machines, the Music, and the Urban Underground: Abrams Image, 2010.
Hess, Mickey. Hip Hop in America : A Regional Guide. Santa Barbara, Calif.: Greenwood Press, 2010.
Ghandnoosh, Nazgol. "‘Cross-Cultural’ Practices: Interpreting Non-African-American Participation in Hip-Hop Dance." Ethnic and Racial Studies 33, no. 9 (2010): 1580-99.
West, Kanye, and Bill Plympton. Through the Wire. 1st Atria Books hardcover ed. New York: Atria Books, 2009.
Thomas, Greg. Hip-Hop Revolution in the Flesh : Power, Knowledge, and Pleasure in Lil' Kim's Lyricism. 1st ed. New York N Y: Palgrave Macmillan, 2009.
Sorett, Josef. "Believe Me, This Pimp Game Is Very Religious: Toward a Religious History of Hip Hop." Culture and Religion 10, no. 1 (2009): 11-22.
Simon, Margarita L. "Intersecting Points: The 'Erotic as Religious' in the Lyrics of Missy Elliott." Culture and Religion 10, no. 1 (2009): 81-96.
Schur, Richard L. Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor: University of Michigan Press, 2009.
Rivera, Raquel Z., Wayne Marshall, and Deborah Pacini Hernandez. Reggaeton, Refiguring American Music. Durham NC: Duke University Press, 2009.
Pinn, Anthony B., and Monica R. Miller. "Introduction: Intersections of Culture and Religion in African-American Communities." Culture and Religion 10, no. 1 (2009): 1-9.
Pinn, Anthony B. "Rap Music, Culture and Religion: Concluding Thoughts." Culture and Religion 10, no. 1 (2009): 97-108.
Perkinson, Jim. "Tupac Shakur as Ogou Achade: Hip Hop Anger and Postcolonial Rancour Read from the Other Side." Culture and Religion 10, no. 1 (2009): 63-79.
Pate, Alexs D. In the Heart of the Beat : The Poetry of Rap, African American Cultural Theory. Lanham Md: Scarecrow Press, 2009.
Miller, Monica R. "'the Promiscuous Gospel': The Religious Complexity and Theological Multiplicity of Rap Music." Culture and Religion 10, no. 1 (2009): 39-61.
Hill, Marc Lamont. Beats, Rhymes, and Classroom Life : Hip-Hop, Pedagogy, and the Politics of Identity. New York NY: Teachers College Columbia University, 2009.
Grassian, Daniel. Writing the Future of Black America : Literature of the Hip-Hop Generation. Columbia: University of South Carolina Press, 2009.
Fraley, Todd. "I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness " Howard Journal of Communications 20, no. 1 (2009): 37-54.
Clay, Elonda. "Two Turntables and a Microphone: Turntablism, Ritual and Implicit Religion." Culture and Religion 10, no. 1 (2009): 23-38.
Brown, Ruth Nicole. Black Girlhood Celebration: Toward a Hip-Hop Feminist Pedagogy. New York: Peter Lang, 2009.
Bradley, Adam. Book of Rhymes : The Poetics of Hip Hop. New York NY: Basic Civitas Books, 2009.
Balaji, Murali. "Owning Black Masculinity: The Intersection of Cultural Commodification and Self-Construction in Rap Music Videos." Communication, Culture, & Critique 2, no. 1 (2009): 21-38.
Alim, H. Samy, Awad Ibrahim, and Alastair Pennycook. Global Linguistic Flows : Hip Hop Cultures, Youth Identities, and the Politics of Language. 1st ed. New York NY: Routledge, 2009.
Thompson, Derrick. The Influenza of Hip-Hop: Is There a Cure for Its Counter-Culture? : Outskirts Press 2008.
Souljah. Midnight: A Gangster Love Story. New York: Atria Books, 2008.
Smith, Debra C. "Critiquing Reality-Based Televisual Black Fatherhood: A Critical Analysis of Run's House and Snoop Dogg's Father Hood." Critical Studies in Media Communication 25, no. 4 (2008): 393-412.
Ross, Dax-Devlon The Nightmare and the Dream: Nas, Jay-Z and the History of Conflict in African-American Culture Outside the Box Publishing 2008.
Rose, Tricia. The Hip Hop Wars : What We Talk About When We Talk About Hip Hop. New York: BasicCivitas, 2008.
Roberts, Dorothy , Rhoda Reddock, Dianne Douglas, and Sandra Reid. Sex, Power and Taboo: Gender and Hiv in the Caribbean and Beyond: Ian Randle Publishers, 2008.
Reid-Brinkley, S. R. . "The Essence of Res(Ex)Pectability Black Women's Negotiation of Black Femininity in Rap Music and Music Video." Meridians: Feminism, Race, Transnationalism 8, no. 1 (2008): 236-60.
Reeves, Marcus. Somebody Scream!: Rap Music's Rise to Prominence in the Aftershock of Black Power. New York: Faber and Faber, 2008.
Pemberton, Jennifer. Who Is Sayin' She's a Gold Digger?: African American Femininities in Rap Music Lyrics: Verlag Dr. Müller, 2008.
Pardue, Derek. Ideologies of Marginality in Brazilian Hip Hop. 1st ed. New York: Palgrave Macmillan, 2008.
Nair, Ajay. Desi Rap : Hip-Hop and South Asian America. Lanham Md u a: Lexington Books, 2008.
McWhorter, John H. All About the Beat : Why Hip-Hop Can't Save Black America. New York N Y: Gotham Books, 2008.
McQune Jr., Jeffrey Q. "Out in the Club: The Down Low, Hip-Hop, and the Architexture of Black Masculinity." Text and Performance Quarterly 28, no. 3 (2008): 298-314.
Lowe, Jaime. Digging for Dirt: The Life and Death of Odb. New York: Faber and Faber, 2008.
Lornell, Kip From Jubilee to Hip Hop: Prentice Hall, 2008.
Lena, Jennifer C. "Voyeurism and Resistance in Rap Music Videos." Communication & Critical/Cultural Studies 5, no. 3 (2008): 264-79.
Johnson, Christopher K. "Danceable Capitalism: Hip-Hop's Link to Corporate Space." Journal of Pan African Studies 2, no. 4 (2008): 80-92.
Gutierrez, Eric. Disciples of the Street: The Promise of a Hip-Hop Church. New York: Seabury Books, 2008.
Fitts, Mako. "Drop It Like It's Hot: Culture Industry Laborers and Their Perspectives on Rap Music Video Production." Meridians 8, no. 1 (2008): 211-35.
Esposito, Jennifer, and Bettina L. Love. "More Than a Video Ho: Hip Hop as a Site of Sex Education About Girls Sexual Desires." In The Corproate Assault on Youth: Commercialism, Exploitation, and the End of Innocence, edited by Deron Boyles. New York: Peter Lang, 2008.
Dyson, Michael Eric, and Sohail Daulatzai. Born to Use Mics : Reading Nas's Illmatic. New York: Basic Civitas Books, 2008.
Dean, Terrance. Hiding in Hip Hop : On the Down Low in the Entertainment Industry, from Music to Hollywood. 1st Atria Books hardcover ed. New York: Atria Books, 2008.
Burns, Kate. Rap Music and Culture, Current Controversies. Detroit: Greenhaven Press, 2008.
Bryant, Yaphet. "Relationships between Exposure to Rap Music Videos and Attitudes toward Relationships among African Americna Youth." Journal of Black Psychology 34, no. 3 (2008): 356-80.
Asante, Molefi K. It's Bigger Than Hip-Hop: The Rise of the Post-Hip-Hop Generation. 1st ed. New York: St. Martin's Press, 2008.
Adams, Cey, and Bill Adler. Definition: The Art and Design of Hip-Hop Collins Design, 2008.
Cobb, M., and W. Boettcher. "Ambivalent Sexism and Misogynistic Rap Music: Does Exposure to Eminem Increase Sexism?" Journal of Applied Social Psychology 37, no. 12 (2007 ): 3025-42.
Womack, Ytasha, and Kenji Jasper. Beats Rhymes & Life: What We Love and Hate About Hip Hop: Harlem Mood, 2007.
Taylor, Carl S., and Virgil Taylor. "Hip Hop Is Now: An Evolving Youth Culture." Reclaiming Children and Youth 15, no. 4 (2007): 210-13.
Stephens, Dionne P., and April L. Few. "Hip Hop Honey or Video Ho: African American Preadolescents' Understanding of Female Sexual Scripts in Hip Hop Culture." Sex Cult 11 (2007): 48-69.
———. "The Effects of Images of African American Women in Hip Hop on Early Adolescents' Attitudes toward Physcial Attractiveness and Interpersonal Relationships." Sex Roles 56 (2007): 251-64.
Skold, David. "Makin' It, by Keeping It Real: Street Talk, Rap Music, and the Forgotten Entrepreneurship From "The ’Hood"." Group & Organization Management 32, no. 1 (2007): 50-78.
Sharpley-Whiting, T. Denean. Pimps up, Ho's Down: Hip Hop's Hold on Young Black Women. New York: New York University Press, 2007.
Sarig, Roni. Third Coast: Outkast, Timbaland, and How Hip-Hop Became a Southern Thing. Cambridge Da Capo Press, 2007.
Richardson, Elaine B. "'She Was Workin Like Foreai': Critical Literacy and Discourse Practices of African American Females in the Age of Hip Hop." Discourse & Society 18, no. 6 (2007): 789-809.
Price, Emmett George. "The Black Church, Hip Hop Culture and the Dilemma." (2007).
Pough, Gwendolyn D. Home Girls Make Some Noise : Hip-Hop Feminism Anthology. 1st ed. Mira Loma CA: Parker Publishing, 2007.
Osumare, Halifu. The Africanist Aesthetic in Global Hip-Hop : Power Moves. 1st ed. New York: Palgrave Macmillan, 2007.
Ogbar, Jeffrey Ogbonna Green. Hip-Hop Revolution : The Culture and Politics of Rap, Cultureamerica. Lawrence: University Press of Kansas, 2007.
Nashashibi. "Hip Hop in the Holy Land: Exploring the Rise of a Global Ghetto." Middle Eastern Studies Students' Association Paper, University of Chicago, 2007.
Munoz-Laboy, Miguel, Hannah Weinstein, and Richard Parker. "The Hip-Hop Club Scene: Gender, Grinding, and Sex." Culture, Health, & Sexuality 9, no. 6 (2007): 615-28.
Marshall, Wayne. "Musica Negra to Reggaeton Latino: The Cultural Politics of Commercialization." Job Talk, Univeristy of Chicago, 2007.
Jasper, Kenji, Ytasha Womack, Robert Johnson, and Mark Allwood. Beats, Rhymes & Life: What We Love and Hate About Hip-Hop. 1st ed. New York: Harlem Moon/Broadway Books, 2007.
Horton-Stallings, LaMonda. Mutha' Is Half a Word : Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture, Black Performance and Cultural Criticism. Columbus: Ohio State University Press, 2007.
Donalson, Melvin Burke. Hip Hop in American Cinema. New York: Peter Lang, 2007.
Coleman, Robin R. Means, and Jasmine Cobb. "No Way of Seeing: Mainstreaming and Selling the Gaze of Homo-Thug Hip-Hop." Popular Communication 5, no. 2 (2007): 89-108.
Coleman, Brian. Check the Technique : Liner Notes for Hip-Hop Junkies. Villard Books trade pbk. ed. New York: Villard, 2007.
Cobb, William Jelani. To the Break of Dawn : A Freestyle on the Hip Hop Aesthetic. New York: New York University Press, 2007.
Bragg, B., and P. McFarland. "The Erotic and the Pornographic in Chicana Rap Jv Vs. Ms. Sancha." Meridians: Feminism, Race, Transnationalism 7, no. 2 (2007): 1-21.
Tyson, Edgar H. "Rap Music Attitude and Perception Scale: A Validation Study." Research on Social Work Practice 16, no. 2 (2006): 211-23.
Spady, James G., Samir Meghelli, and H. Samy Alim. Tha Global Cipha: Hip Hop Culture and Consciousness. Philadelphia PA: Black History Museum Press, 2006.
Rodriguez, J. "Color-Blind Ideology and the Cultural Appropriation of Hip Hop." Journal of Contemporary Ethnography (2006).
Rodman, Gilbert B. "Race...And Other Four Letter Words: Eminem and the Cultural Politics
of Authenticity." Popular Communication 4, no. 2 (2006): 95-121.
Richardson, Elaine B. Hiphop Literacies. London Routledge, 2006.
Ralph, Michael. "Flirting with Death but Still Alive: The Sexual Dimension of Surplus Time in Hip Hop Fantasy." Cultural Dynamics 18, no. 1 (2006): 61-88.
Price, Emmett George. Hip Hop Culture. Santa Barbara Calif: Abc-Clio, 2006.
Parker, Derrick. Notorious C.O.P.: The inside Story of the Tupac, Biggie, and Jam Master Jay Investigations from Nypd's First Hip Hop Cop: St. Martin's Press, 2006.
Oliver, Richard, and Tim Leffel. Hip-Hop, Inc. : Success Strategies of the Rap Moguls: Thunder's Mouth Press, 2006.
Mutua, Athena D. Progressive Black Masculinities. New York: Routledge, 2006.
Lena, Jennifer C. "Social Context and Musical Content of Rap Music, 1979-1995." Social Forces 85, no. 1 (2006): 17p.
Kalyan, Rohan. "Hip Hop Imagnaries: A Geneaology of the Present." Journal for Cultural Research 10, no. 3 (2006): 237-57.
Jackson, Ronald L. Scripting the Black Masculine Body : Identity, Discourse, and Racial Politics in Popular Media, Suny Series, the Negotiation of Identity. Albany: State University of New York Press, 2006.
Hopkinson, Natalie, and Natalie Y. Moore. Deconstructing Tyrone: A New Look at Black Masculinity in the Hip Hop Generation. San Francisco: Cleis Press, 2006.
Grem, Darren. ""The South Got Something to Say" Atlanta's Dirty South and the Southernization of Hip Hop America." Southern Cultures 12, no. Winter (2006): 55-73.
Gaunt, Kyra Danielle. The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop. New York: New York University Press, 2006.
Ganz, Nicholas. Graffiti Women : Street Art from Five Continents. New York: Abrams, 2006.
Condry, Ian. Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Durham: Duke University Press, 2006.
Collins, Patricia Hill. From Black Power to Hip Hop : Racism, Nationalism, and Feminism, Politics, History, and Social Change. Philadelphia: Temple Univ. Press, 2006.
Collins, Michael S. "Biggie Envy and the Gangsta Sublime." Callaloo 29, no. 3 (2006): 911-38.
Chang, Jeff. Total Chaos : The Art and Aesthetics of Hip-Hop. New York: BasicCivitas Books, 2006.
Century, Douglas. Hip Hop Babylon: The Real Stories Behind Raps Greatest Scandals: Wenner Books, 2006.
Canton, David A. "The Political, Economic, Social, and Cultural Tensions in Gangsta Rap." Reviews in American History 34, no. 2 (2006): 14p.
Bryan, Carmen. It's No Secret: From Nas to Jay-Z, from Seduction to Scandal, a Hip-Hop Helen of Troy Tells All. New York: VH1/Pocket Books., 2006.
Bretthauer, Brook, Toni S. Zimmerman, and James H. Banning. "A Feminist Analysis of Popular Music: Power over, Objectification of, and Violence against Women." Journal of Feminist Family Therapy 18, no. 2 (2006): 29-51.
Basu, Dipannita, and Sidney J. Lemelle. The Vinyl Ain't Final : Hip Hop and the Globalization of Black Popular Culture. London: Pluto, 2006.
Alim, H. Samy. Roc the Mic Right : The Language of Hip Hop Culture. New York ; London: Routledge, 2006.
Adams, Terri M., and Douglas B. Fuller. "The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music." Journal of Black Studies 36, no. 6 (2006): 938-57.
Watts, Eric King. "Border Patrolling And "Passing" In Eminem's 8 Mile." Critical Studies in Media Communication 22, no. 3 (2005): 187-206.
Watkins, S. Craig. Hip Hop Matters: Politics, Popular Culture, and the Struggle for the Soul of a Movement: Beacon Press, 2005.
Trapp, Erin. "The Push and Pull of Hip Hop: A Social Movement Analysis." American Behavorial Scientist 48, no. 11 (2005): 1482-95.
Tracy, James F. "Popular Communication and the Postcolonial Zeitgeist: On Reconsidering Roots Reggae and Dub." Popular Communication 3, no. 1 (2005): 21-41.
Stewart, James B. "Message in the Music: Political Commentary in Black Popular Music from Rhythm and Blues to Early Hip Hop." Journal of African American History 90, no. 3 (2005): 196-225.
Steffans, Karrine, and Karen Hunter. Confessions of a Video Vixen. New York: Amistad, 2005.
Smith, Stacy L. "From Dr. Dre To "Dismissed": Assessing Violence, Sex, and Substance Use on Mtv." Critical Studies in Media Communication 22, no. 1 (2005): 89-98.
Shaviro, Steven. "Supa Dupa Fly: Black Women as Cyborgs in Hip Hop Videos." Quarterly Review of Film & Video 22, no. 2 (2005): 169-79.
Rehn, Alf, and David Skold. ""I Love the Dough": Rap Lyrics as Minor Economic Literature." Culture and Organization 11, no. 11 (2005): 17-31.
Quinn, Eithne. Nuthin' but A "G" Thang: The Culture and Commerce of Gangsta Rap, Popular Cultures, Everyday Lives. New York: Columbia University Press, 2005.
Palmer, Tamara. Country Fried Soul: Adventures in Dirty South Hip-Hop: Backbeat Books, 2005.
Morgan, M. "Hip Hop Women Shredding the Veil: Race and Class in Popular Feminist Identity." The South Atlantic Quarterly 104, no. 3 (2005): 425-44.
Miyakawa, Felicia M. Five Percenter Rap: God Hop's Music, Message, and Black Muslim Mission, Profiles in Popular Music. Bloomington: Indiana University Press, 2005.
Kubrin, Charis E. "Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music." Social Problems 52, no. 3 (2005): 360-78.
Klein, Bethany. "Dancing About Architecture: Popular Music Criticism and the Negotiation of Authority." Popular Communication 3, no. 1 (2005): 1-20.
Kitwana, Bakari. Why White Kids Love Hip Hop: Wankstas, Wiggas, Wannabes, and the New Reality of Race in America. New York: Basic Civitas Books, 2005.
Hess, Mickey. "Hip-Hop Realness and the White Performer." Critical Studies in Media Communication 22, no. 5 (2005): 372-89.
Gordon, Lewis. "The Problem of Maturity in Hip Hop." The Review of Education, Pedagogy & Cultural Studies 27, no. 4 (2005).
Geidel, Molly. "Supermaxes, Stripmines, and Hip-Hop." Journal of Popular Music Studies 17, no. 1 (2005): 67-76.
Fleetwood, Nicole. "Hip-Hop Fashion, Masculine Anxiety, and the Discourse of Americana." In Black Cultural Traffic: Crossroads in Global Performance and Popular Culture, edited by Harry Elam and Kennell Jackson. Ann Arbor: University of Michigan, 2005.
Crossley, Scott. "Metaphorical Conceptions in Hip-Hop Music." African American Review 39, no. 4 (2005).
Chang, Jeff. Can't Stop Won't Stop : A History of the Hip-Hop Culture. New York: St. Martin's Press, 2005.
Campbell, Kermit Ernest. Gettin' Our Groove On : Rhetoric, Language, and Literacy for the Hip Hop Generation, African American Life Series. Detroit Mich: Wayne State University Press, 2005.
Calhoun, Lindsay R. "“Will the Real Slim Shady Please Stand Up?”: Masking Whiteness, Encoding Hegemonic Masculinity in Eminem's Marshall Mathers Lp." Howard Journal of Communications 16, no. 4 (2005): 267-94.
Bakare-Yusuf, Bibi. "‘I Love Myself When I Am Dancing and Carrying on’: Refiguring the Agency of Black Women's Creative Expression in Jamaican Dancehall Culture. ." International Journal of Media and Cultural Politics 1, no. 3 (2005): 263-76.
Aldridge, Derrick, and James B. Stewart. "Introduction: Hip Hop in History: Past, Present, and Future." Journal of African American History 90 (2005): 190-95.
Taylor, Carl S. "Hip Hop and Youth Culture: Contemplations of an Emerging Cultural Phenomenon." Reclaiming Children and Youth 12, no. 4 (2004): 251-53.
Schloss, Joseph Glenn. Making Beats : The Art of Sample-Based Hip-Hop, Music/Culture. Middletown, Conn.: Wesleyan University Press, 2004.
Pough, Gwendolyn D. Check It While I Wreck It : Black Womanhood, Hip-Hop Culture, and the Public Sphere. Boston: Northeastern University Press, 2004.
Pinn, Anthony B., and Dwight N. Hopkins, eds. Loving the Body: Black Religious Studies and the Erotic. New York: Palgrave Macmillan, 2004.
Perry, Imani. Prophets of the Hood: Politics and Poetics in Hip Hop. Durham: Duke University Press, 2004.
Nickson, Chris. Hey Ya! : The Unauthorized Biography of Outkast. New York: St. Martin's Griffin, 2004.
McRobbie, Angela. "Post-Feminism and Popular Culture." Feminist Media Studies 4, no. 3 (2004): 255-64.
Mayo, Kierna. "Caught up in the (Gangsta) Rapture: Dr. C. Delores Tucker's Crusade Against "Gangsta Rap"." In And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years, edited by Raquel Cepeda, 121-30. New York: Faber and Faber, 2004.
Lena, Jennifer C. "Meaning and Membership: Samples in Rap Music, 1979-1995." Poetics 32, no. 3/4 (2004): 14p.
Kun, Josh. "What Is an Mc If He Can't Rap to Banda? Making Music in Nuevo L.A." American Quarterly 56, no. 3 (2004): 741-58.
Kelley, Robin D. G. "Looking for 'the Real Nigga': Social Scientists Construct the Ghetto." In That's the Joint!: The Hip-Hop Studies Reader, edited by Murray Forman and Mark Anthony Neal, 119-36. New York: Routledge, 2004.
Judy, R.A.T. "On the Question of Nigga Authenticity." In That's the Joint!: The Hip Hop Studies Reader, edited by Murray Forman and Mark Anthnony Neal, 105-17. New York: Routledge, 2004.
Irby, Decoteau. "Hip Hop, Urban Labor Markets and The "American Dream": A Study of Young Black Men in Philadelphia." Dissertation, Temple University, 2004.
Forman, Murray, and Mark Anthony Neal. That's the Joint!: The Hip-Hop Studies Reader. New York: Routledge, 2004.
Cepeda, Raquel, ed. And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years. New York: Faber and Faber, 2004.
Campbell, Melissa. "Go White Girl!: Hip Hop Booty Dancing and the White Female Body." Continuum: Journal of Media & Cultural Studies 18, no. 4 (2004): 497-508.
Bynoe, Yvonne. Stand and Deliver: Political Activism, Leadership, and Hip Hop Culture2004.
Blair, M. E. "Commercialization of the Rap Music Youth Subculture." The Journal of Popular Culture 27, no. 3 (2004): 21-33.
Banjanko, Adisa. Lyrical Swords: Hip Hop and Politics in the Mix: YinSumi Press, 2004.
Atre, Jatin. "Building America's Agenda: Uses of Rap in Inner-City and Suburban Demographics." Unpublished paper, University of Pennsylvania, 2004.
Armstrong, Edward G. "Eminem's Construction of Authenticity." Popular Music and Society 27, no. 3 (2004): 335-55.
Yousman, Bill. "Blackophilia and Blackophobia: White Youth, the Consumption of Rap Music and White Supremacy." Communication Theory 13, no. 4 (2003): 366-91.
Taha, Les. The Architects of Rap : Poison in Our Culture. Tacoma WA: Silverstone Press, 2003.
Stephens, Dionne P., and Layli Phillips. "Freaks, Gold Diggers, Divas and Dykes: The Socio-Historical Development of African American Adolescent Females' Sexual Scripts." Sexuality and Culture 7 (2003): 3-47.
Stallings, L.H. ""I'm Goin Pimp Whores!": The Goines Factor and the Theory of a Hip-Hop Neo-Slave Narrative." CR: The New Centennial Review 3, no. 3 (2003): 175-203.
Smith-Shomade, Beretta E. "'Rock-a-Bye, Baby!': Black Women Disrupting Gangs and Constructing Hip-Hop Gangsta Films." Cinema Journal 42, no. 2 (2003): 16p.
Rivera, Raquel. New York Ricans from the Hip Hop Zone. New York: Palgrave Macmillan, 2003.
Queeley, A. "Hip Hop and the Aesthetics of Criminalization." Souls 5, no. 1 (2003): 1-15.
Powell, Kevin. Who's Gonna Take the Weight: Power, Politics, and the Hip-Hop Generation. New York: Three Rivers Press, 2003.
Pough, Gwendolyn D. "Do the Ladies Run This...? Some Thoughts on Hip-Hop Feminism." In Catching a Wave: Reclaiming Feminism for the 21st Century, edited by Rory Dicker and Allison Piepmeier. Boston: Northeastern University Press, 2003.
Perry, Imani. "Who(Se) Am I? The Identity and Image of Women in Hip Hop." In Gender, Race, and Class in Media: A Text-Reader, edited by Gail Dines and Jean M. Humez. Thousand Oaks: Sage, 2003.
Neate, Patrick. Where You're At: Notes from the Frontline of a Hip Hop Planet. London: Bloomsbury Publishing, 2003.
Morrison, Carlos D. "Death Narratives from the Killing Fields: Narrative Criticism and the Case of Tupac Shakur." In Understanding African American Rhetoric: Classical Origins to Contemporary Innovations, edited by Ronald L. Jackson II and Elaine B. Richardson, 187-205. New York: Routledge, 2003.
Miyakawa, Felicia M. "God Hop: The Music and Message of Five Percenter Rap." Dissertation, Indiana University, 2003.
Lena, Jennifer. "From Flash to Cash: Producing Rap Authenticity, 1979 to 1995." Dissertation, Columbia University, 2003.
Krims, Adam. Rap Music and the Poetics of Identity. Cambridge: Cambridge University Press, 2003.
Kool Moe, Dee. There's a God on the Mic : The True 50 Greatest Mcs. New York: Thunder's Mouth Press, 2003.
Haugen, Jason D. ""Unladylike Divas": Language, Gender, and Female Gangsta Rappers." Popular Music and Society 26, no. 4 (2003): 429-44.
Harrison, Anthony Kame. "'Every Emcee's a Fan, Every Fan's an Emcee': Authenticity, Identity, and Power within Bay Area Underground Hip-Hop." Dissertation, Syracuse University, 2003.
Green, Jared. Rap and Hip Hop: Examining Pop Culture. San Diego: Greenhaven Press, 2003.
Gee, Alex, and John Teter. Jesus and the Hip-Hop Prophets: Spiritual Insights from Lauryn Hill and Tupac Shakur. Downers Grove: IL, 2003.
Dyson, Michael Eric. Open Mike: Reflections on Philosophy, Race, Sex, Culture and Religion. New York: Basic Civitas Books, 2003.
Desnoyers-Colas, Elizabeth Frances. "Sista Mc Droppin' Rhymes with a Beat: A Fantasy Theme Analysis of Songs Performed by African-American Female Rap Artists." Dissertation, Regent University, 2003.
Dangerfield, Celnisha. "Lauryn Hill as Lyricist and Womanist." In Understanding African American Rhetoric: Classical Origins to Contemporary Innovations, edited by Ronald L. Jackson II and Elaine B. Richardson, 209-21. New York: Routledge, 2003.
Anderson, Adrienne. Word: Rap, Politics and Feminism. New York: Writers Club Press, 2003.
Alim, H. Samy. "On Some Serious Next Millennium Rap Ishhh: Pharoahe Monch, Hip Hop Poetics, and the Internal Rhymes of Internal Affairs." Journal of English Linguistics (2003).
Westbook, Alonzo. Hip Hoptionary: The Dictionary of Hip Hop Terminology. New York: Harlem Moon, 2002.
Watts, Eric King. "The Female Voice in Hip-Hop: An Exploration into the Potential of Erotic Appeal." In Centering Ourselves: African American Feminist and Womanist Studies of Discourse, edited by Marsha Houston and Olga I. Davis, 187-213. Cresskill: Hampton, 2002.
Troka, Donna. "'You Heard My Gun Cock': Female Agency and Aggression in Contemporary Rap Music." African American Research Perspectives 8, no. 2 (2002): 82-89.
Thompson, Mischa E., and R. Khari Brown. "Whites and Rap Music: Is It Really All Bad?" African American Research Perspectives 8, no. 2 (2002).
Quinn, Eithne. "'All Eyez on Me': The Paranoid Style of Tupac Shakur." In Conspiracy Nation, edited by Peter Knight, 177-201. New York: New York University Press, 2002.
Pough, Gwendolyn D. "Love Feminism but Where's My Hip Hop?: Shaping a Black Feminist Identity." In Colonize This: Young Women of Color on Today's Feminism, edited by Daisy Hernandez and Bushra Rehman, 85-94. New York: Seal Press, 2002.
Norwood, Quincy T. "Plantation Rhymes: Hip Hop as Writing
against the Empire of Neo-Slavery." Proud Flesh: New Afrikan Journal of Culture, Politics, and Consciousness 1, no. 1 (2002): 1-15.
Kun, Josh. "Two Turntables and a Social Movement: Writing Hip-Hop at Century’s End." American Literary History (2002): 580-92.
Kitwana, Bakari. The Hip Hop Generation : Young Blacks and the Crisis in African American Culture. 1st ed. New York: Basic Civitas, 2002.
Keyes, Cheryl. Rap Music and Street Consciousness. Urbana: University of Illinois Press, 2002.
Kelley, Norman. R&B Rhythm and Business: The Political Economy of Black Music. New York: Akashic Books, 2002.
Junior, Nicole Shawan. "The Politics of Hip Hop : An Exploration of Black Urban Vernacular in Rap Music." 2002.
Jamila, Shani. "Can I Get a Witness? Testimony from a Hip-Hop Feminist." In Colonize This: Young Women of Color on Today's Feminism, edited by Daisy Hernandez and Bushra Rehman, 382-94. New York: Seal Press, 2002.
Houston, Marsha, and Olga I. Davis, eds. Centering Ourselves: African American Feminist and Womanist Studies of Discourse. Cresskill: Hampton, 2002.
Hinds, Selwyn Seyfu. Gunshots in My Cook-Up : Bits and Bites from a Hip-Hop Caribbean Life. New York: Atria Books, 2002.
Heath, Ryan Scott. "Head Theory: Hip-Hop Aestheticism, Globalized Text, and a Critique of Cultural Studies." Dissertation, University of Michigan, 2002.
Hatch, John B. "Rhetorical Synthesis through a (Rap)Prochment of Identities: Hip Hop and the Gospel According to the Gospel Gangstaz." Journal of Communication & Religion 25 (2002): 228-67.
Gray, Kristina. "I Sold My Soul to Rock and Roll." In Colonize This: Young Women of Color on Today's Feminism, edited by Daisy Hernandez and Bushra Rehman, 257-67. New York: Seal Press, 2002.
Fricke, Jim, and Charlie Ahern. Yes, Yes Y'all: The Experience Music Project Oral History of Hip Hop's First Decade. Cambridge: Da Capo Press, 2002.
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